Every camera,
already in time.
Match every camera to one reference recording by its sound. Adjust any offset. Keep your originals untouched.
Made for the music.
Every angle,
cut on the beat.
Multicam editing for DJ sets and live music.
Sync every camera. Shape an edit that moves with the music.
Explore the workflow Notify me Coming soon · Windows & macOS
Be first to hear.
Enkore is coming to Windows & macOS.
01 / From the night to the timeline
You caught the moment.
Keep the feeling.
The cameras saw different things.
The music brings them together.
The editing desk
Every camera. One timeline.
Synced to one referenceCounted in barsEvery decision stays yoursOffline by design
A little less work. A lot more flow.
From the first take
to the last drop.
One place to sync, shape and prepare your edit.
Four steps. All the control.
Every camera,
A timeline that
feels the music.
Bars, phrases, builds and drops. A map of your set that keeps pace as the records change tempo.
02 / Edit
The first edit,
in one press.
Hold the breakdown. Pick up the pace at the drop. Build a multicam edit that follows the energy of the set.
Then make it yours. Change a shot, move a cut, or switch cameras live. Every decision stays editable.
03 / Audio
The sound of the set.
The feel of the room.
Blend the desk recording with the crowd. Shape your mix with EQ and dynamics, then master it to your loudness target.
Illustrated mixer
The moments everyone came for
Keep the drops.
Keep the feeling.
Find the moments worth keeping.
Give each one an edit of its own.
Keep the moments
that matter.
Review the drops, adjust their ranges, and send each one to your editor as its own sequence.
Your edit.
Your finishing touches.
Take your editable sequences and WAV mix to Premiere Pro or DaVinci Resolve. Linked to the originals, ready for your color grade.
Offline by design
Your footage.
Always with you.
No sign-up, no uploads,
no internet needed.
Your camera files are only ever read. Everything happens on your own computer.
Local processingOriginals untouched
Fits into your workflow
Bring your cameras.
Keep your editor.
Start in Enkore.
Finish where you feel at home.
01
On your computer
Windows & macOS
Local processing. No account.
02
03In your editor
Premiere Pro & DaVinci Resolve
Editable XML sequences + WAV mix.
With your footage
Cameras, phones & audio recorders
See format support by platform.
A few things to know
Good questions.
The practical details,
before the next shoot.
01Does Enkore upload my footage?
No. There is no account and no cloud step: listening, mapping and cutting all happen on your own computer. Enkore opens your camera files to read them and never writes to them.
02Does Enkore make proxies automatically?
Yes. Enkore prepares lightweight proxies in the background so multicamera footage stays responsive while you edit. They remain on your computer and can be cleared at any time. For camera RAW or another format Enkore cannot decode itself, you can link a compatible proxy made elsewhere. Delivery always points back to the untouched camera originals, ready for grading.
03Which editing software does it work with?
Premiere Pro and DaVinci Resolve. It writes XML they import: the set and its drops as sequences, in any frame, with the mix rendered to WAV. For Premiere Pro it can also write one XML with the multicam master, the cut and vertical versions of it. Every shot points at your original footage.
04Do my cameras need timecode?
No. Sync works from the sound each camera recorded. Where a camera did write timecode, Enkore uses it as extra evidence, to place takes the sound alone could not, and to measure how far that camera stood from the PA.
05Can I mix cameras and frame rates?
Yes. Cinema cameras, action cameras, phones and audio recorders sit in one project. Each camera keeps its own frame rate, and the exported edit still lands frame-exact.
06Which formats work on Mac and on Windows?
Tested means checked with real camera footage.
| Format | Mac | Windows |
|---|---|---|
| Video | ||
| H.264, ProRes | Tested | Should work |
| H.265, MXF, AVCHD | Should work | Should work |
| ProRes RAW | Tested | Not yet |
| Blackmagic RAW, RED R3D | Tested | Link a proxy |
| Canon, Nikon, ARRI HDE, Phantom RAW | Link a proxy | Link a proxy |
| ARRIRAW, CinemaDNG, X‑OCN | Not yet | Not yet |
| Sound | ||
| WAV, BWF | Tested | Should work |
| FLAC, AIFF, MP3, AAC, multitrack | Should work | Should work |
- Tested
- Should work
- Link a proxy
- Not yet
Tested on macOS 26.6, September 2026.
07What happens when the tempo changes?
Enkore keeps up with slow drifts and with jumps between records. If a new track comes in off the count, one click sets bar one in the right place, and that correction is kept every time you analyse again.
08How much of the automatic cut can I change?
Every shot. Redraw one stretch with new settings, drag a cut onto another beat, split, join or lock shots, or switch cameras live while the set plays. Undo takes any of it back.
09Does it run on Mac and PC?
Yes. Enkore is built for Windows and macOS.